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U2 History Part 1
In 1976, Larry Mullen Junior posted an advertisement on the notice
board at Mount Temple High School for people who were interested in
forming a rock band. Out of the group came Bono (Paul Hewson), Adam
Clayton and the Evans brothers David (christened by Bono as "The
Edge") and Dik. Although the group could not play very well, they
nonetheless declared themselves a band. And so Feedback was born.
However, the name was not kept very long and they were soon known as
"The Hype"
In autumn of 1977, the band performed at a talent contest at Mount
Temple high school where they were well received. However, after the
performance, Dik Evans left the band to join the Virgin Prunes, and
the band's name was changed to "the Hype". Dik left citing a
difference of opinions in the way the band was heading between him and
the members - "They became very intense about it and I wasn't, it was
almost a generation gap type of gulf between us. I just didn't fit in,
the attitude more than anything".
MORE...
The History of U2 - Part 1
U2 History Part 2
U2 entered the 1980's in low spirits contributed by their poor
showing in the UK charts and acts and the termination of the contract
with CBS Sony. Not all was bad news however, as U2 still won major
categories in the Hot Press reader?s poll. Despite their initial
setbacks in their performances and recordings, U2 managed to sign up
an international four label recording deal with Island Records with
the help of Rob Partridge, an influential fan working in the company.
This saw the release of Island record's first U2 single "11 O?clock
Tick Tock", U2's reaction towards the lack of depth contributed by the
London club scene when people dress up to gain acceptance from others.
This scored U2 another Irish hit.
In October 1980, U2 released their first LP "Boy" after touring
Britain. "Boy" concentrated on the theme of moving on from boyhood and
departs significantly from U2's earlier punk roots towards a more
alternative form of rock and roll. Bono would later say about "Boy" -
"Boy" was a retrospective of U2 over two years - the end of our
adolescence. It wasn't a question of making the music sound a certain
way.?
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The History of U2 - Part 2
U2 History Part 3
After a hectic and successful tour, U2 settled down to record music
for their second album "October". One of their songs "Fire" was
already completed during a rest period they had while performing in
America. The song was recorded in a studio in the Bahamas used by
artists signed up by Island records.
Just when things appeared to go smoothly, Bono realized that he had
lost his notes for the songs and the briefcase that stored them while
on tour in America. Either his case was stolen by two girls who had
entered the studio, or Bono had simply misplaced it, no one really
knows. Nevertheless, U2 were sent into a tailspin and the making of
their new record became a constant struggle against time and
commitment for the band and the producer Steve Lillywhite.
U2 had a three week deadline to meet for the new record, which did not
allow for much time to write the songs. For each recording session, U2
and the producer were under immense pressure to deliver the results.
Bono - "I had a choice, panic or meet the situation. Maybe that's how
I should work; every time I put pen to paper my head gets in the way
anyhow. The pressure was enormous. Lillywhite himself has said it was
the hardest record he has ever worked on in his life. I'd come in and
he'd quietly say, "Sing?? I'd say, "no, it's not right today." The
pressure was so ridiculous that one day our manager asked Lillywhite
if he'd dealt with another band that worked like us. Lillywhite put
his head on his hands and sighed". The song "Gloria" tended to reflect
this situation, where Bono asks God to help him sing - "I try to speak
up/ But only in you I'm complete".
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The History of U2 - Part 3
U2 History Part 4
U2 celebrated the beginning of 1982 with a successful tour of
London and Dublin, where they performed in front of a crowd of 5000 at
the Dublin RDS in January, before leaving for America. Once again, U2
have reaffirmed their position as one of the best live acts in this
time.
In March 1982, U2 released their new single "A Celebration". Their
single successfully entered the UK charts, reaching the top 50. "A
Celebration" follows on from "October" of the human spirit, but in a
more defiant form - "by the powers that be". The B-side, "Trash,
Trampoline and the Party Girl" - a song written by Bono about Adam -
seemed totally removed from this, but instead showed U2's spontaneity
in writing songs - the song was recorded in two hours. Unlike the
other singles, this one was released without a corresponding album.
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The History of U2 - Part 4
U2 History Part 5
U2 continued on with their new found success by showcasing some of
their new songs on "War" in Europe, using their strength in live
performances to promote their album. Their hard work paid dividends,
with "New Years Day" going to number 10 in the UK while earning a top
60 position in the US charts, and their new album going to number 1 in
the UK.
As predicted, "War" provided a slightly different sound from both
"October" and "Boy", showing U2's determination in making a different
kind of music while trying to discover their musical roots. Since
their formation, they have developed their own rock style, with the
Edge being the pioneer. At the making of their new album, the time had
come for them to look at other styles and perhaps use them at any
opportunity. This became clearly apparent with "Seconds" where the
Edge used an acoustic guitar. But in "New Years Day" and "Two hearts
beat as one", the bass and much of the rhythm section dominated the
first producing an awe-inspiring number while the other producing an
obvious rhythmic sound.
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The History of U2 - Part 5
U2 History Part 6
U2 by now have already achieved substantial success in their "War"
tour, with some shows selling out. Throughout their campaign, the
white flag was used frequently by Bono at performances to symbolize
peace. And at the US festival in California (which also featured David
Bowie, The Pretenders, Steve Nicks and John Cougar) where U2 performed
in front of a crowd of 300,000 Bono once again catches the audience's
attention with his stage antics where he climbed to the top of the
stage to get the attention of the people at the back and placed a
white flag for all to see. Bono later commented on this event saying -
"People are quite aware that there's no stage big enough for me - I
like to stretch the stage and I've often found myself singing from the
back of the hall rather than the front".
Such was their success on tour and the advent of MTV and music videos
the manager of U2, Paul McGuiness, felt the time was right to record a
live performance of U2.
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The History of U2 - Part 6
U2 History Part 7
When U2 began the progress of making their new album, they knew
that a big change needed to be made if their creative spark were to
continue. Although "War" had been successful commercially, they knew
that following the style of music on the album would lead to eventual
failure. To continue on with something like "War" would make their
creative spirit dependent on the expectations of their peers - that U2
could change the world with hard-hitting, "slap in the face" music. In
addition, U2 wanted to make something with individuality which they
could identify themselves with and that gave them a reason why they
formed in a band in the first place - "..."Boy" is a sexual record of
sorts. "October" is a spiritual record. "War" I don't know what. It
was as if U2 were learning how to be U2. Now we want to find out what
U2 can do". Because of this, they chose Brian Eno as their new
producer to replace Steve Lillywhite who also followed U2's philosophy
in making original music.
Initially, Eno didn't find their past music inspiring. However, he
made up his mind to become the producer as soon as he met U2. Eno on
Bono and U2 - "He talked about how they worked as a band, not in terms
of playing and so forth, but in terms of contribution, what
contributed to the identity of the band as a whole". So intrigued was
Eno on Bono's comments and beliefs that Eno couldn't resist the
temptation and decided to help them out, choosing Slane Castle as the
location to produce their new music in May 1984 before returning back
to Windmill Lane in June.
MORE...The History of U2 - Part 7
U2 History Part 8
U2 began their tour in August before the release of their new
album. Unlike their past tours, U2 were now performing in front of
large audiences. Despite this, their shows still sold out, an example
being the April 1 1985 Madison Square Garden show, New York, in which
all 20,000 seats were sold in 1 hour. However U2 were also not without
their dramas, where in January 1985, the Radio City Music Hall show in
New York was stopped 18 times by fans running on to the stage. At one
point, a security guard even pulled a gun on Bono. In addition, U2
toured Australia and New Zealand for the first time, despite their
hectic schedule in finishing their album.
However the most memorable performance came during Live Aid at the
Wembley Stadium on July 1985. U2 were headlined with 22 other acts and
had to perform in a 15 minute time slot at 5 in the afternoon. But
Bono got carried away, not only did he run over the fifteen minute
time slot, he also went out to the crowd and hugged a woman. After
this, Bono felt that he had failed himself and the band as a whole. So
Bono spent days driving out by himself wondering why he had been so
foolish during the performance that was meant to help raise money to
save lives in Ethiopia.
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The History of U2 - Part 8
U2 History Part 9
U2 continued their humanitarian stand by appearing on the "Artists
against Apartheid" album "Sun City" with their single "Silver and
Gold" in August 1985. Other artists included Steve Van Zandt, Clarence
Clemens, David Ruffin, Eddie Kendricks, Jimmy Cliff, Lou Reed, Joey
Ramone and Bobby Womack.
On the subject of the song Bono commented - "It's a song about
sanctions and it takes the idea originally going to South Africa for
the silver and gold. A lot of world crises are economic issues. They
are disguised by religious or politician fronts, but the root of them
is often economic, and the song is getting at that, really."
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The History of U2 - Part 9