U2 Tickets
Ticket Retriever sells tickets for all U2 events. We specialize in
providing you with premium and other U2 tickets that are in high
demand. We can help you gain access to tickets for all major events.
Click Here
To View Schedules &
Purchase U2 Tickets
|
U2 History - Part 5
U2 continued on with their new found success by showcasing some of
their new songs on "War" in Europe, using their strength in live
performances to promote their album. Their hard work paid dividends,
with "New Years Day" going to number 10 in the UK while earning a top
60 position in the US charts, and their new album going to number 1 in
the UK.
As predicted, "War" provided a slightly different sound from both
"October" and "Boy", showing U2's determination in making a different
kind of music while trying to discover their musical roots. Since
their formation, they have developed their own rock style, with the
Edge being the pioneer. At the making of their new album, the time had
come for them to look at other styles and perhaps use them at any
opportunity. This became clearly apparent with "Seconds" where the
Edge used an acoustic guitar. But in "New Years Day" and "Two hearts
beat as one", the bass and much of the rhythm section dominated the
first producing an awe-inspiring number while the other producing an
obvious rhythmic sound.
Furthermore, "War" departed from the other two albums by becoming more
direct and confrontational in delivering the messages on war and
conflict, a similar style also employed by the Clash. This is
especially so in "Sunday Bloody Sunday" which employed a heavy edged
sound and very direct clear lyrics to convey its message on the
violence in Northern Ireland - so much so that it was labeled a "rebel
song". At the end, U2 had to spend the whole "War" tour to clear up
this false impression. And ironically for Bono, this song was written
as a reaction against the honoring of Bobby Sands in the St Patrick?s
Day parade - "When Bobby Sands was dying on hunger strike, the
American audiences were virtually throwing money on stage, I wanted to
write something that wasn't a rebel song, but which said 'we're sick
of it'". But unlike the album version, "Sunday Bloody Sunday" has gone
on and matured, stripped down to the point where only the Edge and his
guitar performs the song in the Pop Mart tour, thus fortunately giving
a more universal and emotional feel to the song.
But it is songs like "New Years Day" which may have made the album
successful. The dominant and well controlled bass and rhythm section,
with some lead guitar sections, successfully conveys the message U2
delivers about the power of love and determination at times of
conflict where Solidarity activist Lech Walesa becomes imprisoned in
Poland. At the same time, we are also treated to the hard reality of
attempting to change - "Nothing changes on New Years Day".