Beastie Boys Tickets
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About Beastie Boys
As the first white rap group of any importance, the Beastie Boys
received the scorn of critics and strident hip-hop musicians, who
accused them of cultural pirating, especially since they began as a
hardcore punk group in 1981. But the Beastie Boys weren't pirating --
they treated rap as part of a post-punk musical underground, where the
do-it-yourself aesthetics of hip-hop and punk weren't that far apart.
Of course, the exaggerated b-boy and frat-boy parodies of their
unexpected hit debut album, Licensed to Ill, didn't help their cause.
For much of the mid-'80s, the Beastie Boys were considered as macho
clowns, and while their ambitious, Dust Brothers-produced second
album, Paul's Boutique, dismissed that theory, it was ignored by both
the public and the press at the time. In retrospect, it was one of the
first albums to predict the genre-bending, self-referential pop
kaleidoscope of '90s pop. The Beastie Boys refined their eclectic
approach with 1992's Check Your Head, where they played their own
instruments. Check Your Head brought the Beastie Boys back to the top
of the charts, and within a few years, they were considered one of the
most influential and ambitious groups of the '90s, cultivating a
musical community not only through their music, but with their record
label, Grand Royal, and their magazine of the same name.
It was remarkable turn of events for a group that demonstrated no
significant musical talent on their first records. All three members
of the Beastie Boys -- Mike D (born Mike Diamond, November 20, 1966),
MCA (born Adam Yauch, August 5, 1965), and Ad-Rock (born Adam Horovitz,
October 31, 1967) -- came from wealthy middle-class Jewish families in
New York and had become involved in the city's punk underground when
they were teenagers in the early '80s. Diamond and Yauch formed the
Beastie Boys with drummer Kate Schellenbach and guitarist John Berry
in 1981, and the group began playing underground clubs around New
York. The following year, the Beastie Boys released the 7" EP Pollywog
Stew on the independent Rat Cage to little attention. That year, the
band met Horovitz, who had formed the hardcore group the Young and the
Useless. By early 1983, Schellenbach and Berry had left the group --
they would later join Luscious Jackson and Thwig, respectively -- and
Horovitz had joined the Beastie Boys. The revamped group released the
rap record "Cookie Puss" as a 12" single later in 1983. Based on a
prank phone call the group made to Carvel Ice Cream, the single became
an underground hit in New York. By early 1984, however, they had
abandoned punk and turned their attention to rap.
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In 1984, the Beastie Boys joined forces with producer Rick Rubin, a
heavy metal and hip-hop fan who had recently founded Def Jam Records
with fellow New York University student Russell Simmons. Def Jam
officially signed the Beastie Boys in 1985, and that year they had a
hit single from the soundtrack to Krush Groove with "She's on It," a
rap track that sampled AC/DC's "Back in Black" and suggested the
approach of the group's forthcoming debut album. The Beastie Boys
received their first significant national exposure later in 1985, when
they opened for Madonna on her Virgin Tour. The trio taunted the
audience with profanity and were generally poorly received. One other
major tour, as the openers for Run-D.M.C.'s ill-fated Raisin' Hell
trek, followed before Licensed to Ill was released late in 1986. An
amalgam of street beats, metal riffs, b-boy jokes, and satire,
Licensed to Ill was interpreted as a mindless, obnoxious party record
by many critics and conservative action groups, but that didn't stop
the album from becoming the fastest-selling debut in Columbia Records'
history, moving over 750,000 copies in its first six weeks. Much of
that success was due to the single "Fight for Your Right (To Party),"
which became a massive crossover success. In fact, Licensed to Ill
became the biggest-selling rap album of the '80s, which generated much
criticism from certain hip-hop fans who believed that the Beastie Boys
were merely cultural pirates. On the other side of the coin, the group
was being attacked from the right, who claimed their lyrics were
violent and sexist and that their concerts -- which featured female
audience members dancing in go-go cages and a giant inflatable penis,
similar to what the Stones used in their mid-'70s concerts -- caused
even more outrage. Throughout their 1987 tour, they were plagued with
arrests and lawsuits, and were accused of inciting crime.
While much of the Beastie Boys' exaggeratedly obnoxious behavior
started out as a joke, it became a self-parody by the end of 1987, so
it wasn't a surprise that the group decided to revamp their sound and
image during the next two years. During 1988, they became involved in
a bitter lawsuit with Def Jam and Rick Rubin, who claimed he was
responsible for the group's success and threatened to release outtakes
as their second album. The group finally broke away by the end of the
year and relocated to California, where they signed with Capitol
Records. While in California, they met the production team the Dust
Brothers, and they convinced the duo to use their prospective debut
album as the basis for the Beastie Boys' second album, Paul's
Boutique. Densely layered with interweaving samples and pop culture
references, the retro-funk-psychedelia of Paul's Boutique was entirely
different than Licensed to Ill, and many observers weren't quite sure
what to make of it. Several publications gave it rave reviews, but
when it failed to produce a single bigger than the number 36 "Hey
Ladies," it was quickly forgotten about.
Over the next few years, the Beastie Boys remained quiet as they
concentrated on political causes and their record label. In 1996, they
released the hardcore EP Aglio e Olio and the instrumental soul-jazz
and funk collection, The In Sound From Way Out! Also that year, Adam
Yauch organized a two-day festival to raise awareness and money about
Tibet's plight against the Chinese government; the festival went on to
become an annual event. The Beastie Boys' long-awaited fifth LP, Hello
Nasty, finally appeared during the summer of 1998.
Beastie Boys Tickets
Ticket Retriever sells tickets for Beastie Boys concert events. We
specialize in providing you with premium and other Beastie Boys Tickets
that are in high demand. We can help you gain access to tickets for
all major events.
How to Find Beastie Boys Tickets:
1. Browse our ticket inventory by clicking on the "Beastie Boys" button.
2. Sort ticket events by price, section, or row.
3. Use the seating chart to help you find the Beastie Boys tickets that meet
your preferences.
4. Place your ticket order for Beastie Boys Tickets on our secure
system.